PolyArchive

Trzy słowa najdziwniejsze Wisława Szymborska Kiedy wy­mawiam słowo Przyszłość, pier­wsza sy­laba od­chodzi już do przeszłości. Kiedy wy­mawiam słowo Cisza, niszczę ją. Kiedy wy­mawiam słowo Nic, stwarzam coś, co nie mieści się w żad­nym nieby­cie. * * * * * * * * The Three Oddest Words Wisława Szymborska Translated by Clare Cavanagh and Stanisław Barańczak When I pronounce the word […]

Advice to My Son Peter Meinke (For Tim) The trick is, to live your days as if each one may be your last (for they go fast, and young men lose their lives in strange and unimaginable ways) but at the same time, plan long range (for they go slow; if you survive the shattered […]

That’s my Middle West—not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. –F. Scott Fitzgerald, The Great Gatsby

One Art Elizabeth Bishop The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master. Then practice losing […]

29 Some rides don’t have much of a finish That’s the ride I took Through good and bad and straight through indifference Without a second look There’s no intentions worthy of mention If we never try So hang your hopes on rusted-out hinges Take ’em for a ride Only time will tell if wishing wells […]

Hate Poem Julie Sheehan I hate you truly. Truly I do. Everything about me hates everything about you. The flick of my wrist hates you. The way I hold my pencil hates you. The sound made by my tiniest bones were they trapped in the jaws of a moray eel hates you. Each corpuscle singing […]

In the day-to-day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And an outstanding reason for choosing some sort of God or spiritual-type thing to worship — be it J.C. or Allah, […]

So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self — struggling to lift itself out of its inadequacy and incompetence — you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself. […]

Ars Poetica by Archibald MacLeish A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. * A poem should be motionless in time As […]

“We’re desperate for great storytellers, great painters, great dancers, great cooks, because art does something nothing else does.

“Art slips past our brains straight into our bellies. It weaves itself into our thoughts and feelings and the open spaces in our souls, and it allows us to live more and say more and feel more. Great art says the things that we wished someone would say out loud, the things we wish we could say out loud . . .

“Art matters, art does, so deeply. It’s one of the noblest things, because it can make us better, and one of the scariest things, because it comes from such a deep place inside of us. There’s nothing scarier than that moment you sing the song for the very first time, for your roommate or your wife, or when you let someone see the painting, and there are a few very long silent moments when they haven’t yet said what they think of it, and in those few moments, time stops and you quit painting, you quit singing forever, in your head, because it’s so fearful and vulnerable, and then someone says, essentially, thank you and keep going, and your breath releases, and you take back everything you said in your head about never painting again, about never singing again, and at least for that moment, you feel like you did what you came to do, in a cosmic, very big sense.

“I know that life is busy and hard, and that there’s crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don’t. Please don’t. Please keep believing that life can be better, brighter, broader, because of the art that you make. Please keep demonstrating the courage that it takes to swim upstream in a world that prefers putting away for retirement to putting pen to paper, that chooses practicality over poetry, that values you more for going to the gym than going to the deepest places in your soul. Please keep making art for people like me, people who need the magic and imagination and honesty of great art to make the day-to-day world a little more bearable.

“And if, for whatever reason, you’ve stopped—stopped believing in your voice, stopped fighting to find the time—start today. I bought a mug for my friend, from the Paper Source in Chicago (which is, by the way, a fabulous playground for creative people), and the mug says, ‘Do something creative every day.’ Do that. Do something creative every day, even if you work in a cubicle, even if you have a newborn, even if someone told you a long time ago that you’re not an artist, or you can’t sing, or you have nothing to say. Those people are bad people, and liars, and we hope they develop adult-onset acne really bad. Everyone has something to say. Everyone. Because everyone, every person was made by God, in the image of God. If he is a creator, and in fact he is, then we are creators, and no one, not even a bad seventh-grade English teacher or a harsh critic or jealous competitor, can take that away from you . . .

“‘Thank you for writing, for taking the time and spirit and soul to write, because I love to read, and I’m so thankful to writers like you, for writing things for me to read. And keep going. Even when people make you feel like it’s not that important. It might be the most important thing you do. Keep going.’

“So to all the secret writers, late-night painters, would-be singers, lapsed and scared artists of every stripe, dig out your paintbrush, or your flute, or your dancing shoes. Pull out your camera or your computer or your pottery wheel. Today, tonight, after the kids are in bed or when your homework is done, or instead of one more video game or magazine, create something, anything.

“Pick up a needle and thread, and stitch together something particular and honest and beautiful, because we need it. I need it.

“Thank you, and keep going.”

From Shauna Niequist’s Cold Tangerines, via The Edible Life.

In Memory of W. B. Yeats W. H. Auden I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold […]

Epilogue Robert Lowell Those blessèd structures, plot and rhyme— why are they no help to me now I want to make something imagined, not recalled? I hear the noise of my own voice: The painter’s vision is not a lens, it trembles to caress the light. But sometimes everything I write with the threadbare art […]

One moment of our 1993 conversation made this especially clear, one during which we both looked at the textured surface of Blue Poles: Number 11, 1952, a painting by Jackson Pollock full of patches, slashes, lines, drippings, and blobs, with barely a hint of blue. “I don’t understand this,” I said. “Yes you do,” Lynch […]

Italo Calvino’s Definition: What Makes a Book a “Classic”? The classics are the books of which we usually hear people say, “I am rereading…” and never “I am reading…” We use the words “classics” for books that are treasured by those who have read and loved them; but they are treasured no less by those […]

The Literary World Philip Larkin I ‘Finally, after five months of my life during which I could write nothing that would have satisfied me, and for which no power will compensate me…’ My dear Kafka, When you’ve had five years of it, not five months, Five years of an irresistible force meeting an immoveable object […]