art

the archivist October 4, 2024

Links of the Week, vol. 13: Link Cadillac, Crushed Velvet Seats Jonas Fredwall Karlsson’s Portraits of Rock Climbers and Adventurer Click through to see Karlsson’s portraits of the extreme climbers, bikers, hikers, adventurers, and explorers, from the pages of Vanity Fair. https://www.vanityfair.com/culture/photos/2015/03/jonas-fredwall-karlsson-extreme-sports-photography —– The Enduring Mystery of the Amber Room, Coveted by Tsars, Nazis, and […]

the archivist January 24, 2024

South Dakota’s may plausibly be considered the most genuinely innovative, most inspirationally forward-looking professional orchestra in the United States. It is also the happiest professional orchestra I know, and the most engaged. Fulfilling Theodore Thomas’s credo, it “shows the culture of the community.” Link: The American Scholar | Shostakovich in South Dakota A manifesto for […]

the archivist July 17, 2013

I wasn’t always a fan of Bruce Springsteen. Of course, I knew his music (or so I thought). Who didn’t? Every song on Born in the USA had been a single, and had been played to death, right? And then he did those mediocre movie soundtrack songs in the 90s, which, I was convinced, were actually the […]

the archivist May 24, 2013

“The buying of more books than one can perchance read is nothing less than the soul reaching toward infinity, and this passion is the only thing that raises us above the beasts that perish.” — A. Edward Newton (1863-1940)

the archivist April 29, 2013

Time present and time past Are both perhaps present in time future, And time future contained in time past. –T.S. Eliot, Four Quartets The Heidelberg Project is an art environment in the heart of Detroit’s east side. The project was started by artist Tyree Guyton and his grandfather, Sam Mackey, in 1986. After serving in […]

the archivist February 16, 2013

“And, of course, that is what all of this is – all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or […]

the archivist September 13, 2012

“We’re desperate for great storytellers, great painters, great dancers, great cooks, because art does something nothing else does.

“Art slips past our brains straight into our bellies. It weaves itself into our thoughts and feelings and the open spaces in our souls, and it allows us to live more and say more and feel more. Great art says the things that we wished someone would say out loud, the things we wish we could say out loud . . .

“Art matters, art does, so deeply. It’s one of the noblest things, because it can make us better, and one of the scariest things, because it comes from such a deep place inside of us. There’s nothing scarier than that moment you sing the song for the very first time, for your roommate or your wife, or when you let someone see the painting, and there are a few very long silent moments when they haven’t yet said what they think of it, and in those few moments, time stops and you quit painting, you quit singing forever, in your head, because it’s so fearful and vulnerable, and then someone says, essentially, thank you and keep going, and your breath releases, and you take back everything you said in your head about never painting again, about never singing again, and at least for that moment, you feel like you did what you came to do, in a cosmic, very big sense.

“I know that life is busy and hard, and that there’s crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don’t. Please don’t. Please keep believing that life can be better, brighter, broader, because of the art that you make. Please keep demonstrating the courage that it takes to swim upstream in a world that prefers putting away for retirement to putting pen to paper, that chooses practicality over poetry, that values you more for going to the gym than going to the deepest places in your soul. Please keep making art for people like me, people who need the magic and imagination and honesty of great art to make the day-to-day world a little more bearable.

“And if, for whatever reason, you’ve stopped—stopped believing in your voice, stopped fighting to find the time—start today. I bought a mug for my friend, from the Paper Source in Chicago (which is, by the way, a fabulous playground for creative people), and the mug says, ‘Do something creative every day.’ Do that. Do something creative every day, even if you work in a cubicle, even if you have a newborn, even if someone told you a long time ago that you’re not an artist, or you can’t sing, or you have nothing to say. Those people are bad people, and liars, and we hope they develop adult-onset acne really bad. Everyone has something to say. Everyone. Because everyone, every person was made by God, in the image of God. If he is a creator, and in fact he is, then we are creators, and no one, not even a bad seventh-grade English teacher or a harsh critic or jealous competitor, can take that away from you . . .

“‘Thank you for writing, for taking the time and spirit and soul to write, because I love to read, and I’m so thankful to writers like you, for writing things for me to read. And keep going. Even when people make you feel like it’s not that important. It might be the most important thing you do. Keep going.’

“So to all the secret writers, late-night painters, would-be singers, lapsed and scared artists of every stripe, dig out your paintbrush, or your flute, or your dancing shoes. Pull out your camera or your computer or your pottery wheel. Today, tonight, after the kids are in bed or when your homework is done, or instead of one more video game or magazine, create something, anything.

“Pick up a needle and thread, and stitch together something particular and honest and beautiful, because we need it. I need it.

“Thank you, and keep going.”

From Shauna Niequist’s Cold Tangerines, via The Edible Life.

the archivist July 18, 2012

One moment of our 1993 conversation made this especially clear, one during which we both looked at the textured surface of Blue Poles: Number 11, 1952, a painting by Jackson Pollock full of patches, slashes, lines, drippings, and blobs, with barely a hint of blue. “I don’t understand this,” I said. “Yes you do,” Lynch […]

the archivist July 7, 2011

J & I have been watching a TV show from the 90s on Netflix. Well, actually, several of them. The one we stream is a show that he learned to love in reruns, not so very long ago; I, on the other hand, occasionally caught a bit of it in its original run (if we […]

the archivist February 28, 2011

How many of us can date a picture to the decade, just by looking at the photo’s characteristics and processing? A fairly large number, I would think. Each generation of cameras has corresponded to the aesthetics of its time, the ethos, even the color palette. Think of the small, perfectly square photos of the minimalist […]

the archivist October 13, 2010

“President Philip (who is without a doctoral degree and who has little if any experience teaching or researching)” via The Crisis of the Humanities Officially Arrives – NYTimes.com. GRRRR. This makes me so angry, partly because SUNY Albany has a good Russian program (one of their faculty co-wrote my favorite textbook series, Nachalo), and partly […]