art

the archivist October 4, 2024

Links of the Week, vol. 13: Link Cadillac, Crushed Velvet Seats Jonas Fredwall Karlsson’s Portraits of Rock Climbers and Adventurer Click through to see Karlsson’s portraits of the extreme climbers, bikers, hikers, adventurers, and explorers, from the pages of Vanity Fair. https://www.vanityfair.com/culture/photos/2015/03/jonas-fredwall-karlsson-extreme-sports-photography —– The Enduring Mystery of the Amber Room, Coveted by Tsars, Nazis, and […]

the archivist September 21, 2020

Olga Khazan | The Atlantic: We Expect Too Much From Our Romantic Partners. A new book explores how marriage has changed in recent years, and why that’s made staying married harder. Stuart Firestein | Nautilus: How Pseudoscientists Get Away With It. “They imitate the ways in which science works and make claims as if they […]

the archivist July 10, 2019

“All this time I was writing, writing no matter what else I was doing; no matter what I thought I was doing, in fact. I was living almost as instinctively as a little animal, but I realize now that all that time a part of me was getting ready to be an artist. That my […]

the archivist September 8, 2015

One of  the first TED talks made available online in 2006, Sir Ken Robinson’s “Do Schools Kill Creativity?” remains the most-watched talk on the TED.com website. In addition to the speaker’s excellent rhetorical techniques (which, indeed, have helped set the tone for many future TED and TEDx events), the subject matter, if anything, rings even […]

the archivist August 25, 2013

Coda Dorothy Parker There’s little in taking or giving, There’s little in water or wine; This living, this living, this living Was never a project of mine. Oh, hard is the struggle, and sparse is The gain of the one at the top, For art is a form of catharsis, And love is a permanent […]

the archivist April 29, 2013

Time present and time past Are both perhaps present in time future, And time future contained in time past. –T.S. Eliot, Four Quartets The Heidelberg Project is an art environment in the heart of Detroit’s east side. The project was started by artist Tyree Guyton and his grandfather, Sam Mackey, in 1986. After serving in […]

the archivist September 13, 2012

“We’re desperate for great storytellers, great painters, great dancers, great cooks, because art does something nothing else does.

“Art slips past our brains straight into our bellies. It weaves itself into our thoughts and feelings and the open spaces in our souls, and it allows us to live more and say more and feel more. Great art says the things that we wished someone would say out loud, the things we wish we could say out loud . . .

“Art matters, art does, so deeply. It’s one of the noblest things, because it can make us better, and one of the scariest things, because it comes from such a deep place inside of us. There’s nothing scarier than that moment you sing the song for the very first time, for your roommate or your wife, or when you let someone see the painting, and there are a few very long silent moments when they haven’t yet said what they think of it, and in those few moments, time stops and you quit painting, you quit singing forever, in your head, because it’s so fearful and vulnerable, and then someone says, essentially, thank you and keep going, and your breath releases, and you take back everything you said in your head about never painting again, about never singing again, and at least for that moment, you feel like you did what you came to do, in a cosmic, very big sense.

“I know that life is busy and hard, and that there’s crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don’t. Please don’t. Please keep believing that life can be better, brighter, broader, because of the art that you make. Please keep demonstrating the courage that it takes to swim upstream in a world that prefers putting away for retirement to putting pen to paper, that chooses practicality over poetry, that values you more for going to the gym than going to the deepest places in your soul. Please keep making art for people like me, people who need the magic and imagination and honesty of great art to make the day-to-day world a little more bearable.

“And if, for whatever reason, you’ve stopped—stopped believing in your voice, stopped fighting to find the time—start today. I bought a mug for my friend, from the Paper Source in Chicago (which is, by the way, a fabulous playground for creative people), and the mug says, ‘Do something creative every day.’ Do that. Do something creative every day, even if you work in a cubicle, even if you have a newborn, even if someone told you a long time ago that you’re not an artist, or you can’t sing, or you have nothing to say. Those people are bad people, and liars, and we hope they develop adult-onset acne really bad. Everyone has something to say. Everyone. Because everyone, every person was made by God, in the image of God. If he is a creator, and in fact he is, then we are creators, and no one, not even a bad seventh-grade English teacher or a harsh critic or jealous competitor, can take that away from you . . .

“‘Thank you for writing, for taking the time and spirit and soul to write, because I love to read, and I’m so thankful to writers like you, for writing things for me to read. And keep going. Even when people make you feel like it’s not that important. It might be the most important thing you do. Keep going.’

“So to all the secret writers, late-night painters, would-be singers, lapsed and scared artists of every stripe, dig out your paintbrush, or your flute, or your dancing shoes. Pull out your camera or your computer or your pottery wheel. Today, tonight, after the kids are in bed or when your homework is done, or instead of one more video game or magazine, create something, anything.

“Pick up a needle and thread, and stitch together something particular and honest and beautiful, because we need it. I need it.

“Thank you, and keep going.”

From Shauna Niequist’s Cold Tangerines, via The Edible Life.

the archivist July 18, 2012

One moment of our 1993 conversation made this especially clear, one during which we both looked at the textured surface of Blue Poles: Number 11, 1952, a painting by Jackson Pollock full of patches, slashes, lines, drippings, and blobs, with barely a hint of blue. “I don’t understand this,” I said. “Yes you do,” Lynch […]

the archivist January 16, 2010

This lovely series of drawings parallels my own changing relationship to the bean. “I must have been 5 when I first discovered the taste of coffee, when I was accidentally given a scoop of coffee ice cream. I was inconsolable: how could grown-ups ruin something as wonderful as ice cream with something as disgusting as […]

the archivist November 18, 2009

An art project made of found audio and video, for my “Works on Paper” class. Oh What a World that Ends