meaning

the archivist September 13, 2012

“We’re desperate for great storytellers, great painters, great dancers, great cooks, because art does something nothing else does.

“Art slips past our brains straight into our bellies. It weaves itself into our thoughts and feelings and the open spaces in our souls, and it allows us to live more and say more and feel more. Great art says the things that we wished someone would say out loud, the things we wish we could say out loud . . .

“Art matters, art does, so deeply. It’s one of the noblest things, because it can make us better, and one of the scariest things, because it comes from such a deep place inside of us. There’s nothing scarier than that moment you sing the song for the very first time, for your roommate or your wife, or when you let someone see the painting, and there are a few very long silent moments when they haven’t yet said what they think of it, and in those few moments, time stops and you quit painting, you quit singing forever, in your head, because it’s so fearful and vulnerable, and then someone says, essentially, thank you and keep going, and your breath releases, and you take back everything you said in your head about never painting again, about never singing again, and at least for that moment, you feel like you did what you came to do, in a cosmic, very big sense.

“I know that life is busy and hard, and that there’s crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don’t. Please don’t. Please keep believing that life can be better, brighter, broader, because of the art that you make. Please keep demonstrating the courage that it takes to swim upstream in a world that prefers putting away for retirement to putting pen to paper, that chooses practicality over poetry, that values you more for going to the gym than going to the deepest places in your soul. Please keep making art for people like me, people who need the magic and imagination and honesty of great art to make the day-to-day world a little more bearable.

“And if, for whatever reason, you’ve stopped—stopped believing in your voice, stopped fighting to find the time—start today. I bought a mug for my friend, from the Paper Source in Chicago (which is, by the way, a fabulous playground for creative people), and the mug says, ‘Do something creative every day.’ Do that. Do something creative every day, even if you work in a cubicle, even if you have a newborn, even if someone told you a long time ago that you’re not an artist, or you can’t sing, or you have nothing to say. Those people are bad people, and liars, and we hope they develop adult-onset acne really bad. Everyone has something to say. Everyone. Because everyone, every person was made by God, in the image of God. If he is a creator, and in fact he is, then we are creators, and no one, not even a bad seventh-grade English teacher or a harsh critic or jealous competitor, can take that away from you . . .

“‘Thank you for writing, for taking the time and spirit and soul to write, because I love to read, and I’m so thankful to writers like you, for writing things for me to read. And keep going. Even when people make you feel like it’s not that important. It might be the most important thing you do. Keep going.’

“So to all the secret writers, late-night painters, would-be singers, lapsed and scared artists of every stripe, dig out your paintbrush, or your flute, or your dancing shoes. Pull out your camera or your computer or your pottery wheel. Today, tonight, after the kids are in bed or when your homework is done, or instead of one more video game or magazine, create something, anything.

“Pick up a needle and thread, and stitch together something particular and honest and beautiful, because we need it. I need it.

“Thank you, and keep going.”

From Shauna Niequist’s Cold Tangerines, via The Edible Life.

the archivist September 1, 2012

In Memory of W. B. Yeats W. H. Auden I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold […]

the archivist August 17, 2012

Epilogue Robert Lowell Those blessèd structures, plot and rhyme— why are they no help to me now I want to make something imagined, not recalled? I hear the noise of my own voice: The painter’s vision is not a lens, it trembles to caress the light. But sometimes everything I write with the threadbare art […]

the archivist February 1, 2012

Karl: Okay, I have another question. I could answer myself but I would like to ask you. What is your idea of a perfect day? Karl: Every day should be perfect. It’s up to you to work on it and to make the day perfect. There is no perfect day. It is a very sad […]

the archivist March 26, 2011

It started, as many things do, with Metafilter. Someone posted a link to a story which quickly engaged me (at one of those thesis-work moments during which I want nothing more than to be distracted), about a blogger facing down her stalker. It was a gripping and well-written story–I read every part in one sitting. […]

the archivist July 27, 2010

Introduction to Collected Poems (1938) E.E. Cummings (wrenched from a geocities site in the depths of the Wayback Machine) I N T R O D U C T I O N The poems to come are for you and for me and are not for mostpeople– it’s no use trying to pretend that mostpeople and […]

the archivist July 7, 2010

I have been writing. Just in very small form. 7-7-10: Raw temptation of sprinklers never fades with age… Wet grass loves bare feet 7-1-10: Red-winged blackbird dreams, Bicycles, reeds in ditches, was this history? 6-16-10: Blame music, you could never live up to sacred memories of you June 3, 2010: ‘Late submission’ Priorities change. Scarlett […]

the archivist February 6, 2010

Written from a hospital bed in 1875, after the 26-year-old Henley had had his leg amputated as a result of tuberculosis of the bone. Originally untitled, Arthur Quiller-Couch bestowed the name “Invictus” (“Unvanquished”) when he included it in The Oxford Book of English Verse. This was the poem Nelson Mandela kept on a scrap of […]

the archivist July 19, 2006

A Psalm of Life What the Heart of the Young Man Said to the Psalmist Henry Wadsworth Longfellow TELL me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not […]

the archivist June 30, 2006

An Irish Airman Foresees His Death W. B. Yeats I know that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate, Those that I guard I do not love; My country is Kiltartan Cross, My countrymen Kiltartan’s poor, No likely end could bring them loss Or […]

the archivist June 28, 2006

Life’s Tragedy Paul Laurence Dunbar It may be misery not to sing at all And to go silent through the brimming day. It may be sorrow never to be loved, But deeper griefs than these beset the way. To have come near to sing the perfect song And only by a half-tone lost the key, […]

the archivist June 17, 2006

The Light of Stars Henry Wadsworth Longfellow The night is come, but not too soon; And sinking silently, All silently, the little moon Drops down behind the sky. There is no light in earth or heaven But the cold light of stars; And the first watch of the night is given To the red planet […]

the archivist May 4, 2006

the lesson of the moth Don Marquis i was talking to a moth the other evening he was trying to break into an electric light bulb and fry himself on the wires why do you fellows pull this stunt i asked him because it is the conventional thing for moths or why if that had […]

the archivist April 22, 2006

The Waking Theodore Roethke I wake to sleep, and take my waking slow. I feel my fate in what I cannot fear. I learn by going where I have to go. We think by feeling. What is there to know? I hear my being dance from ear to ear. I wake to sleep, and take […]