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Billy Collins ~ Marginalia

Marginalia
Billy Collins

Sometimes the notes are ferocious,
Skirmishes against the author
Raging along the borders of every page
In tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O’Brien,
They seem to say,
I would bolt the door and beat some logic into your head.

Marginalia - love it or loathe it?

Other comments are more offhand, dismissive –
“Nonsense.” “Please!” “HA!!” –
That kind of thing.
I remember once looking up from my reading,
My thumb as a bookmark,
Trying to imagine what the person must look like
Who wrote “Don’t be a ninny”
Alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
Needing to leave only their splayed footprints
Along the shore of the page.
One scrawls “Metaphor” next to a stanza of Eliot’s.
Another notes the presence of “Irony”
Fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
“Absolutely,” they shout
To Duns Scotus and James Baldwin.
“Yes.” “Bull’s-eye.” “My man!”
Check marks, asterisks, and exclamation points
Rain down along the sidelines.

And if you have managed to graduate from college
Without ever having written “Man vs. Nature”
In a margin, perhaps now
Is the time to take one step forward.

We have all seized the white perimeter as our own
And reached for a pen if only to show
We did not just laze in an armchair turning pages;
We pressed a thought into the wayside,
Planted an impression along the verge.

Even Irish monks in their cold scriptoria
Jotted along the borders of the Gospels
Brief asides about the pains of copying,
A bird singing near their window,
Or the sunlight that illuminated their page-
Anonymous men catching a ride into the future
On a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
They say, until you have read him
Enwreathed with Blake’s furious scribbling.

Yet the one I think of most often,
The one that dangles from me like a locket,
Was written in the copy of Catcher in the Rye
I borrowed from the local library
One slow, hot summer.
I was just beginning high school then,
Reading books on a davenport in my parents’ living room,
And I cannot tell you
How vastly my loneliness was deepened,
How poignant and amplified the world before me seemed,
When I found on one page

A few greasy looking smears
And next to them, written in soft pencil-
By a beautiful girl, I could tell,
Whom I would never meet-
“Pardon the egg salad stains, but I’m in love.”

(Hat tip)
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3 Comments

  1. Wonderful poem! I began the journey of teaching myself how to annotate (for me and my purposes at any rate; doubt there is some _one_ way to annotate) a few years go and have become fascinated by the practice in general. I love your imagery, particularly of the asterisks and exclamation points raining down the side. Most of the poem generated a self-conscious but pleasurable familiarity as I saw things I have done and do. It’s an addictive habit. LOL.

    A tiny tiny nitpick: I _think_ you meant “singing” in the line about the bird outside the scriptorium, but have “signing”. I am sadly inept at understanding poetry as well as I would like, so it might not be a typo at all! Anyway, thought you’d want to know just in case.

    Again, great work. Made my day.

    Cheers,
    Scott Stratton from Tallahassee, Florida, USA

    P.S. – “Don’t be a ninny” heh heh awesome.

    • Hi Scott,

      I’m so glad you liked the poem, but I can’t take credit for the wonderful imagery–I mostly repost others’ poetry here, including this one by Billy Collins (I recommend all of his works!). Good catch though–even Billy’s own website has “signing” instead of “singing,” but in the print book it is indeed “singing.” I’ve updated the post.

      All the best,
      Nicole

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